#Ungrateful #YouMadAtMyRap #IStartedTheMafia #ITaughtYouProduction,” he continued.Īnother one of his posts, in all caps, told Southside, “You kan keep trying to pay people to kill me….god is going to deal with you. Your Mothers Brother Owes Your GrandDaddy 8 Months of Rent & is using Covid to not be Evicted. His father went on to allege that Southside assaulted his sister and turned his back on other family members. “Truth is You Haven’t spoken to your GrandDad Who Taught You Boxing In 10 Years, You Slapped & Spit On Your Sister because You were Mad At Me. “You lieing to the WORLD like you did it all by your self. “You a RICH BITCH that betrays everybody that helped you become rich & famous,” said Southside’s father about the 808 Mafia producer. It comes from growing up poor,” Pharaoh wrote. You don’t walk away from Nixon with rosy feelings toward Tricky Dick, but you are swamped by the sense of the tragedy of his life - how his ego and anger and ambition could never ever transcend his self-doubt, no matter how much he hoped otherwise.“Tattoos on your face and carrying guns don’t make you a gangster. Real gangsters don’t choose to be gangsters, we don’t have a choice. Anthony Hopkins doesn’t look so much like Nixon, but he embodies him, and the looming shadow of the Watergate investigation that dominates Nixon’s last third is both riveting and sickening - you can feel the sense of doom slowly enveloping a politician who, at heart, was always a fatalist. Oliver Stone isn’t the sort of guy you’d picture as a Richard Nixon apologist, but even though he depicts our 37th president as an unsavory, power-hungry man, the JFK auteur also goes out of his way to explain what drove Nixon - namely, a sense of inadequacy that spurred him on throughout his life. A lower rung from Citizen Kane and There Will Be Blood, Nixon is all the more compelling because of the filmmaker who conceived it. It will be interesting to rewatch Barry down the road: In several ways, the movie is less about Obama than it is our relationship to a president who seemed to be too good to be true - and seems even more that way now.Ĭinema has no shortage of movies about monstrously ambitious American men who reach great heights, only to be undone by the same insecurities and failings that fueled their drive in the first place. There’s a genuine attempt to strip away Obama’s mythic persona - the real man was getting ready to wind down his time in the Oval Office at the time of the movie’s release - but Barry suffers a bit because it doesn’t have quite enough distance or perspective to really offer a compelling take on the transformative politician. There’s a love story at Barry’s center - Anya Taylor-Joy plays one of his classmates - but director Vikram Gandhi is more interested in Obama’s search to find himself as he tries to come to terms with not feeling wholly comfortable with either white students or black friends. ) This is a look at fictionalized characterizations of real-life presidents, for better and, often, worse.Īn origin story of sorts that shows the formative years of Barack Obama, Barry follows our 44th president as a college student (played by Devon Terrell) in New York trying to find his footing in the big city. One rule about this list: We didn’t include documentaries. That’s probably going to change in 20 years. But they are all Large Men, men of import and power. Not every president featured in these films is a great man. How reverential can anyone find the job after this? But that’s the one thing these movies about real-life presidents have in common: the importance of the office contrasted with the basic humanity of the officeholder. Their whole life becomes an origin story.Īgain, this feels like it will all change because of our recent situation. Everything else they do seems more important, more magnified: We look for insight into their soul in the most mundane, and least mundane, of life’s tasks. Every aspect of a human being’s life, whether it’s before, during, or after his time in the White House, is filtered through that lens: This person once held the most powerful office in the world. One aspect of all movies about real-life presidents - an aspect one worries future films will not share - is a reverence for the office of the president. This article originally ran in 2018 and is being republished for Presidents’ Day. Photo: Electric Entertainment, Lionsgate and Miramax
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